Thursday, 20 July 2017

The Perplexing Theft of the Jewel in the Crown by Vaseem Khan

Review by Vasundra Jackison

This is the second book in a series regarding the investigations of Inspector Chopra (retired) and his assistant, the baby elephant Ganesha. People waiting for this book will not be disappointed as the story is just as delightful and entertaining as the first. It is full of charm, drama, joy, sadness and lots of comedy moments. Chopra is a force for good and Ganesha is his adorable partner.



There is something universally endearing about the elephant calf. Chopra was not by nature a sentimental man, but there was no doubt that the bond between them meant as much to him as any human relationship.

Mumbai is a teeming city of 20 million people. The author describes the sights and smells so vividly that it is easy to picture. The people, culture and chaos seem to jump out of the book. The mouth-watering food is especially well described.

The Baby Ganesh Detective Agency has many cases to solve. The most important one is the theft of Queen Elizabeth’s crown which is on display in a museum under tight security. The jewel in the crown is the Koh-i-Noor diamond, the mountain of light.

The presence of the legendary diamond on Indian soil had caused quite a stir. Many felt it had been stolen by the British one hundred and fifty years earlier…..and had now found its way home.

Chopra feels the robbery is humiliating for India and is determined to solve the crime. The corrupt police have arrested the wrong man who is being detained and mistreated in the infamous Arthur Road jail. Chopra cannot rest until he gets him out.

The prisoners had the highest rate of HIV in the country and were routinely abused both by their fellow inmates and the hardened guards. Murder was commonplace, the suicide rate off the scale.

Chopra is honest to a fault and very gentle with his wife Poppy, who has issues that tug at our hearts. Nevertheless, she demonstrates that she can be a strong and feisty woman solving a crime herself involving spoilt young boys at the St. Xavier Catholic school for boys. But it is her kindness to Ganesha and a street boy called Irfan that endears us to her the most.

Poppy dotes on Ganesha, spoiling him with treats such as the never-ending supply of bars of Cadbury Dairy Milk that he was addicted to.

Poppy has opened a restaurant where her cantankerous mother Poornima Devi has been installed as the manager. There are hilarious scenes between her and the head chef Lucknowwallah who is a highly-strung artist.

Poornima Devi had an ability to inspire terror in everyone and a grasping memory, usually employed in recalling Chopra’s numerous faults.

Ganesha adores the street boy Irfan and greets him with an exuberant bugle and a sparkle in his eyes. They are firm friends and seem to understand each other’s joy and pain. When the boy is captured and forced to return to the slums, it is Ganesha who rescues him and returns him to Chopra and Poppy.

There are risks and challenges aplenty for Chopra in recovering the Koh-i-Noor and capturing the thieves. Corruption is rife with many officials in the police force in cahoots with the criminal gangs. But the author manages to get us through the difficulties by combining the dangers with humorous situations that have us laughing out loud.

The story is written in an easy to read style with a whimsical, almost magical touch. The characters are quirky with names that sound hysterically funny. Some of the plots are quite far-fetched. But inexplicably, everything blends in very smoothly, resulting in a wonderful ride for the reader.

The Perplexing Theft of the Jewel in the Crown is published by Mulholland Books – An imprint of Hodder and Stoughton


Follow Vaseem on Twitter: @VaseemKhanUK


Sunday, 16 July 2017

A Conversation with Jason Hewitt

Jason Hewitt is an author, playwright and actor. His first novel The Dynamite Room was longlisted for the Desmond Elliott Prize for New Writing and the Authors' Club Best First Novel Award. Devastation Road, now also published in the US and Canada, was longlisted for the Walter Scott Prize for Historical Fiction. His debut play Claustrophobia premiered at Edinburgh Fringe before transferring to the Hope Theatre in London.

He teaches on the Publishing degree at both Oxford Brookes University and Bath Spa University, and also regularly provides creative writing workshops at the British Library. Jason is also Treasurer for the Historical Writers' Association.


Devastation Road is a deeply compelling and poignant story that, like the novels of Pat Barker or Sebastian Faulks' Birdsong, dramatises the tragic lessons of war, the significance of belonging and of memory - without which we become lost, even to ourselves.



Spring, 1945: A man wakes in a field in a country he does not know. Injured and confused, he pulls himself to his feet and starts to walk, and so sets out on an extraordinary journey in search of his home, his past and himself.

His name is Owen. A war he has only a vague memory of joining is in its dying days, and as he tries to get back to England he becomes caught up in the flood of refugees pouring through Europe. Among them is a teenage boy, Janek, and together they form an unlikely alliance as they cross battle-worn Germany. When they meet a troubled young woman, tempers flare and scars are revealed as Owen gathers up the shattered pieces of his life. No one is as he remembers, not even himself - how can he truly return home when he hardly recalls what home is?

We wish Jason lots of success with Devastation Road and many thanks for joining us in conversation.


Tell us your journey as a writer.

I’ve been writing stories since I was a child and have always been obsessed with books. My first part time job was at Dillons the Bookstore in Oxford (before it become Waterstones), and when I finished my degree I ended up working there full time. It was supposed to be a temporary position before I got something “more lucrative” but I ended up staying for almost five years. When I eventually moved on it was to begin a career in publishing, something I ended up doing for over 15 years. In amongst all of this I wrote and wrote but wasn’t really getting anywhere. Then not long after my thirtieth birthday I lost my best friend to cancer. It made me realise that life can be short and you need to take it by the horns so I took redundancy and went to Bath Spa University to study an MA in Creative Writing. It took me four years to complete the novel I started to write there and I eventually got an agent, but the book didn’t sell. By this point I’d gone back to my publishing career with my tail between my legs. However, my agent told me to write another book and, refusing to give up, I did. It took another four years to write The Dynamite Room but, miraculously, it sold overnight in a pre-emptive bid. For apparently “overnight success” it had been a very long haul!

How do you see your role as a writer and what do you most like about it?

I’d like to say my role as a writer is to entertain but if that were the case my books would be a lot funnier. Both my published novels have been set during the Second World War and I hope that they help readers to understand the war and empathise with different viewpoints. Regardless of the time and setting though, like most authors, I hope that I’m writing stories that have universal appeal and tackle subjects that we can all relate to. The best moment for any writer is when a stranger contacts you to tell you that something you have written has touched them in some way. I keep these in a ‘feel-good’ folder for those gloomy days when I feel incapable of stringing a sentence together, let along a novel!

Have you ever created a character you dislike but find yourself empathising with?

All my characters have traits that I dislike, and that’s why I empathise with them. Characters, in my opinion, should all be flawed in some way because if readers are to relate to them they need to be human. Heiden in The Dynamite Room walks a thin line between being a monster and a hero. It is the war in many ways that has turned him bad. However, I was really pleased with how much readers felt sympathy for him. The jury is still out for Owen in Devastation Road. He has done something that some readers find hard to forgive, but this, I hope, is what makes his story all the more tragic.

What has been your experience of writing about diverse characters?

For me a diversity of characters creates interesting dynamics. When I came up with the story for The Dynamite Room, the first character that appeared in my head was my Nazi soldier, Heiden. I then tried to think of the most unlikely person for him to be pitted against. From that, eleven-year old Lydia was born. Similarly in Devastation Road, Owen is joined by three distinctively different characters on his journey across Europe – a fifteen-year old boy that speaks no English, and a young Polish girl with an infant. The drama largely comes from the dynamics formed by their uneasy alliance – none of them trusts the others and yet they find themselves becoming increasingly dependent on each other.

Who is your favourite literary character from childhood and why?

Now Winnie-the-Pooh because he speaks so much sense. Although as a child it was James from James and the Giant Peach and Bilbo Baggins.

If you could be transported instantly anywhere in the world, where would you most like to spend your time writing? And why?

I write on location as much as I can. It helps with the details and is a short cut for the imagination. That said, my next novel is set in the Lake District, which is not very exotic. If I was smart about this I’d choose locations I want to go on holiday and then cram a story into them but it never seems to work like that. In the research for Devastation Road I walked much of the route Owen takes across Europe. It was great fun but ridiculously expensive. These days I’m staying in B&Bs in Cumbria and living on a diet of Kendal Mint Cake.

What is the one book you wish you had written?

Shakespeare’s First Folio. Just to have come up with a Hamlet or King Lear would have made me pretty happy. Even a dud like Pericles. But to have created so many rich, timeless tales that have become the bedrock of so much of our storytelling! It’s impossible to underestimate Shakespeare’s influence on modern culture. If a selection of plays, however, is a cheat it would have to be Winnie-the-Pooh.

What advice do you have for would be novelists/writers?

Every writer takes a different journey to publication. Every writer works differently. And every writer will offer you different pieces of advice. All I would say is find a way that works for you. You need to put the hours in (a lot of hours) and learn from your own successes and mistakes; and that takes persistence. Be prepared for the knock backs, because they will come. And, most importantly, take on criticism when it is valid. And learn. Learn. Learn.

What are you currently working on? What can we look forward to reading?

The next novel is set in 1947 in the Lake District and involves a lot of sheep and possibly some supernatural phenomena (or possibly not).


You can follow Jason on Twitter here: @jasonhewitt123

Saturday, 8 July 2017

Protest: Stories of Resistance edited by Ra Page

When does a riot become a revolution? When does a demonstration of dissent tip over into a moment of unstoppable political change?

Comma Press release their new anthology celebrating the often overlooked history of British protest; bringing together authors, academics, and witnesses to create fictional stories true to history.

Brexit, Trump, Black Lives Matter – political causes are once more stirring people across the UK to stand up and fight for what they believe in. But British people have been taking to the streets, the picket lines and the battlegrounds for centuries. In this timely and evocative collection, twenty authors have assembled to re-imagine key moments of British protest, from the Peasants’ Revolt of 1381 to the anti-Iraq War demo of 2003. It may not be a history taught in classrooms, but Britain has a great tradition of protesting; indeed, often only real political progress has come from people power movements. Some have succeeded, like the pubcrawl protesters of Smethwick which helped put an end to colour bars and enforce new equal rights laws; others have fought battles that have still to be won fully, like the Night Cleaners of the early 70s, fighting for their rights to fair and safe working conditions.


'When right-wing populism is seemingly sweeping the west this whistle-stop tour demonstrates the power of people and provides a glimmer of hope and inspiration.' - Big Issue North

Protest: Stories of Resistance asks 20 leading authors to bring crucial moments of British protest to life, through specially commissioned stories written in close consultation with experts on each protest - historians, sociologists and in some cases activists - who have also provided historical afterwords to each of the stories. Together, they provide fictional and non- fictional insights into defining moments in Britain's 'other' history, its people's history.

Featuring
Alexei Sayle, Courttia Newland, David Constantine, Holly Pester, Juliet Jacques, Kit de Waal, Maggie Gee, Stuart Evers, Laura Hird, Sandra Alland, Frank Cottrell-Boyce, Matthew Holness, Martyn Bedford, Joanna Quinn, Jacob Ross, Joanna Walsh, Kate Clanchy, Sara Maitland, and Francesca Rhydderch.

Greenacre Writers are very pleased to welcome two of the contributors to answer some questions. Kit de Waal who has written a short story in response to the visit to Smethwick in 1965 by Malcolm X. And Avtar Singh Jouhl, who accompanied Malcolm X, wrote the Afterword. Avtar is now 77, so we're extremely honoured to include his answers in this blog that is promoting a very important and much needed collection of stories and afterwords.

Kit de Waal writes about forgotten and overlooked places where the best stories are found. Her debut novel, My Name is Leon, a heart-breaking story of love and identity, is a Times and international bestseller, and shortlisted for the Costa First Novel Award, the Kerry Group Irish Novel of the Year, the Desmond Elliott Prize and the British Book Awards Debut. Her prize-winning flash fiction and short stories appear in various anthologies. In 2016, she founded the Kit de Waal Scholarship at Birkbeck University.

She has written about the Smethwick Race Protests, 1965. Her short story is entitled: 'Exterior Paint'.

Questions for Kit de Waal:

Did you know about Smethwick 1965 pre Protest?

Before I wrote the story I had no idea that Malcolm X visited Smethwick, which is very strange as my family lived about twenty minutes away at the time and I would have been about five years old. My father was very interested in politics and probably would have talked about it but I obviously had more important things, like dolls, on my mind at the time.

How easy or difficult was it to come up with a fictional story for the collection? What thought processes did you go through? And how much collaboration was necessary?

I spoke to Avtar Jouhl who was one of the organisers of the visit, spending a couple of hours with him and recording what he said. I was very interested in what he said about the colour bar in local pubs and that was really the start of the story for me. My father was a West Indian at the time who went out with a white woman so obviously some of that history is very familiar to me.

Did you undertake any research for the article? Was it difficult to find resources and if so why do you think this was? 

I read articles on line and as I said I spoke to Avtar Jouhl. I also visited the area to get a look at the housing and the exact geography. There are also quite a few clips about the visit on You Tube and the BBC website.

What is at the heart of the short story?

The heart of the story is equality, I suppose, and that the exterior paint that we all have on the outside doesn’t matter. There are more important layers underneath. Malcolm X gave one man the courage to stand up for that.

By writing about Smethwick 1965, you've contributed to that time. Can fiction help to make history more accessible?

Of course, yes. I read very little non-fiction but lots of fiction set in the recent past. Fiction helps us to inhabit, imagine, live another life, walk a mile or a year in someone’s shoes. We might not read The History of the Suffragettes but we might read one woman’s story set at that time.

Avtar Singh Jouhl was Kit's expert and wrote the Afterword to her story. He was general secretary of the Indian Workers' Association at the time Malcolm X visited Smethwick. Jouhl was one of the men accompanying Malcolm X on 12 February 1965. United States black activist Malcolm X visited the region just nine days before his assassination. He told the press:

I have come here because I am disturbed by reports that coloured people in Smethwick are being treated badly. I have heard they are being treated as the Jews under Hitler. I would not wait for the fascist element in Smethwick to erect gas ovens.

Questions for Avtar Singh Jouhl:

What made you choose to live in Smethwick?

I chose Smethwick in 1958 because my elder brother was living in Smethwick. He owned a house on Oxford Road, Smethwick.

Did you undertake any research for the article? Was it difficult to find resources and if so why do you think this was? 

I wrote my afterward retrieving information from Indian Workers Association Great Britain (IWAGB) record archive deposited at Birmingham City Council reference liberary and my personal records.

How did you feel reading Kit's story?

Fiction written on real story.

Do you feel it was true to your testimony?

Yes

Did the story capture the essence of the time?

Absolutely.


Protest: Stories of Resistance is published by Comma Press. We'd like to thank them for the review copy.

Follow Comma Press on Twitter: @

Follow Kit de Waal on Twitter: @KitdeWaal

Tuesday, 4 July 2017

The Hen Party by Emily Benet

Book review by Greenacre Writer Lindsay Bamfield

Fiona has a dream and she’s won it - her dream hen party.  She is to be whisked off, with her four bridesmaids, to sunny Mallorca to laze on sunny beaches, be pampered at a day spa and indulge in cocktails on a luxurious yacht as her prize on a reality show. Bliss.


Kate has a dream too. Hers is to make a documentary about the pollution of plastic in our oceans. Plastic People would aim to make viewers more responsible about our endless use of disposable plastic and the dangers it can cause to the environment and its wildlife.

The TV job she is offered isn’t quite what she hoped for but it could be a step in the right direction so she agrees to replace the injured director of The Hen Party, a low budget reality TV show.  Maybe she can include an environmental angle. After all, where better to highlight marine pollution than on Mallorca’s fabulous beaches?

Dreams soon turn into nightmares when plans go awry, ideals clash, secrets and jealousies simmer causing arguments to break out. Can Kate keep the hens under control to preserve the show or is she the one responsible for its looming failure? 

Despite the mantra, she did not feel the least bit calm. Her stomach was in knots. The girls would not be giving her a warm welcome this morning. If they offered her a cup of tea, she could be sure it was only because they’d laced it with poison. There wouldn’t be one ally among them. Not the bride-to-be. Not her four chosen hens. Not even the crew.
Kate altered her mantra.
‘Shit, shit, shit, shit…’

In a novel that bounces along with Emily Benet’s irrepressible verve, we become acquainted with the characters against the backdrop of gorgeous Mallorca away from the crowds. She paints each character’s strengths and weaknesses, changing our perceptions of each as the narrative unfolds. My sympathies changed course several times as I was drawn into the story through the different characters’ viewpoints and the backstories informing them. The plot twists mirror the characterisations with never a boring moment.  


Laugh out loud comedy mixes with tension, romance, a dose of travelogue and environmental issues, making this a great holiday read that you won’t want to put down and will give you a little more insight than you bargained for. 

Follow Emily on Twitter: @EmilyBenet

Monday, 3 July 2017

A Conversation with Emily Benet

Emily Benet was born in London. With a Welsh mother and a Spanish father Emily spent her childhood in both London and Barcelona. Like many novelists, her passion for writing started at an early age and she drew on her observations of everyday life for inspiration.

During her teenage years Emily worked in her parents’ chandelier shop and her dealings with the public provided a wealth of entertaining material. Emily began to blog about these amusing encounters which eventually went on to create her first novel Shop Girl Diaries commissioned by Salt Publishing.

Shop Girl Diaries was subsequently made into a short film which was selected for The London Short Film Festival in January 2014. The success of Emily’s debut novel resulted in a book deal with HarperImpulse, an imprint of Harper Collins, for The Temp (2014) and #PleaseRetweet# (2015).

Emily holds workshops on blogging and has written the guide, Blogging for Beginners. She has also written many articles on blogging and social media for magazines, including Myslexia, Publishing Talk and The New Writer.

Emily now lives in Mallorca, which is the setting for her new novel The Hen Party.



Film Director, Kate Miller, is in serious trouble.  The entire cast and crew of the reality TV show The Hen Party has gone missing while filming in Mallorca.To make matters worse, the network boss has just flown in and will be arriving any minute to check up on her production.

Kate thinks it's all her fault. She hasn't exactly been following the guidelines.

But if she is to blame, why were the hens arguing between themselves? And why is the groom-to-be calling her up in tears? Kate doesn't know the half of it. The hens have their own secrets and it's only matter of time before they all come tumbling out.   

A party of eight arrive on the island, but not everyone's going home.


Thank you Emily for taking part in our conversation and we wish you lots of success with your new novel.

Tell us of your journey as a writer

Like many authors I began writing when I was very little. At 11, I won a school essay competition, which seemed amazing to me at the time. From that moment on, I decided writing was my thing - something I could be good at. From the age of 17, I began submitting short stories to competitions and working on novels with terrible plots. I acquired dozens of rejection letters, but whenever I was beginning to run out of steam, the universe would deliver a boost of energy in the form of one of my 
stories getting placed in a contest. 
Everything changed with my blog, Shop Girl Diaries, which I began in 2008. The blog, which was about the ins and outs of working in my parents' eccentric chandelier shop, was spotted by Salt Publishing thanks to the wonders of social media, and they commissioned it as a book. I also wrote a short film based on it, which was shown at the London Short Film Festival. The blog won the Completely Novel Blog Awards at the London Book Fair in 2010. An agent contact me after all that- which made a nice change!
The agent wasn't keen on my next book idea though, so life went on, very much unchanged. It took another two years before, frustrated and impatient, I embarked on a new adventure online.
My next book was a romantic comedy called Spray Painted Bananas and I wrote it chapter by chapter on the hugely popular online platform: Wattpad. It racked up over a million hits and I was inundated with lovely comments and people asking me: What happens next?!  To be honest, I didn't always know!
Thanks to its success, I finally signed with an agent and got a book deal with Harper Collins' imprint Harper Impulse. They published Spray Painted Bananas under the new title The Temp. Although I regret the change, the experience has taught me so much. After so many years immersed in the world of social media, it felt only fitting to write a comedy on social media addiction, which is how I came up with my third book: #PleaseRetweet.
Despite fulfilling my dream of getting an agent and traditional publisher, I've chosen to release my next book The Hen Party independently. Being the creative director of my new project has been really exciting and empowering. When you are in control you can work much faster and get exactly what you want. Now I've just got to hope it's what my lovely readers want!

How do you see your role as a writer and what do you like most about it?

Entertainer? Interpreter of the human experience? God, I don't really think about it. All I know is that I feel compelled to do it. If I haven't written in two days I start to feel agitated. Of course I love it when people relate to what I write. As a freelance writer, I also love the diversity of what I have to write about and the fact it brings me into contact with people and places I might not otherwise. 

Have you ever created a character who you dislike but find yourself empathising with?

I once wrote about an ex-con with noisy neighbours who ends up setting their house on fire. Noisy neighbours are the worst.

What has been your experience of writing about diverse characters? 

I have collection of short stories called Short Stories for Busy Adults, where I play with diverse characters and topics that I might not have been able to sustain in a full-length novel. In The Hen Party, the story unfolds through the perspectives of five different characters who are all hiding things from each other. In my next novel I'll be mixing it up even more... 

Who is your favourite literary character from childhood and why?

I didn't have a favourite literary character but I read a lot. My biggest influencers were Enid Blyton, Judy Blume and Brian Jaques (Redwall Series).

If you could be transported instantly, anywhere in the world, where would you most like to spend your time writing? And why?

You know, I'm really happy where I am, which is on a sunny terrace in Mallorca. If I'm going to travel, I don't want to write while I'm doing it, I just want to be fully present. I'd love to see Iceland and Norway, but I'm not writing there if I need fingerless gloves to do it!

What is the one book you wish you had written?

Big Little Lies by Liane Moriarty. It's clever, witty, fast-paced and intense. I've read it three times with a pen in my hand.

What advice do you have for would be novelists/writers?

For starters, finish that book you're writing. Everyone starts but not everyone finishes. Next, you need to make your own luck. Put your work out there and find your readership. My experience has been of publishers showing interest once I've proved I've got some readers! 

What are you currently working on? What can we look forward to reading?

I'm still bashing out a first draft of my next book. It involves all sorts of characters, who are also neighbours, facing their own personal dramas in one big apartment... For now, though, it's all about The Hen Party which is out now! It's a fun, fast-paced novel with lots of twists and turns. It's set in Mallorca and it should come with a stretch of beach and a mojito!
 

Follow Emily on Twitter: @EmilyBenet

Wednesday, 28 June 2017

Daisy Belle: Swimming Champion of the World


Caitlin Davies in Victorian bathing costume
during the Dickens festival at Broadstairs
Caitlin Davies is a novelist, non-fiction writer, journalist, and teacher. She’s also an outdoor swimmer, whether in the Hampstead ponds, the mighty River Thames or the glorious sea in Margate, and all three settings feature prominently in Daisy Belle.

Caitlin was born in London in 1964, and after training as an English teacher she moved to Botswana where she became a journalist for the country’s first tabloid newspaper, the Voice. While working as editor of the Okavango Observer she was arrested for ‘causing fear and alarm’, and also received a Journalist of the Year award. Many of her books are set in the Okavango Delta, where she lived for 12 years, including the critically acclaimed memoir Place of Reeds.

After returning to England she became a regular feature writer for The Independent, and for the past three years she’s worked as a Royal Literary Fund Fellow at the University of Westminster, Harrow.

Caitlin’s main interest lies in the buried lives of women from the past, and her five novels include The Ghost of Lily Painter, based on a true case of Edwardian baby farming.

She is the author of six non-fiction books, including Bad Girls: A Century of Women and Crime at Holloway Prison, to be published by John Murray in March 2018.


Daisy Belle: Swimming Champion of the World, is a novel about love, betrayal and swimming, inspired by the career of Agnes Beckwith, a champion Victorian swimmer who was once world famous but is now largely forgotten.



The novel opens in Margate in 1864, where two-year-old Daisy first learns to swim. When her father Jeffrey is appointed Swimmer Professor at the Lambeth Baths, the family move to London where Daisy makes her debut in Professor Belle’s Family of Frogs.

At the age of 14 she becomes the first female to swim the Thames, her father capitalizes on her fame and she begins to perform in a whale tank at the Royal Aquarium, a palace of amusement in Westminster. But after a near death experience and the realization that her father is not the man she thought he was, Daisy escapes his swimming kingdom and flees back to Margate.

Here she saves Dob McGee, a celebrated sports journalist who almost drowns during a boating trip. Dob becomes her husband and manager, and together they set off to America where Daisy will attempt to make history by swimming across New York harbour.

But Dob has his own motives for the tour, and he persuades her to perform ever more dangerous feats. Daisy Belle will have to fight for her right to the title of Lady Swimmer of the World, aided by her brother Billy, her love for American long distance swimmer Johnnie Heaven, and her heartbreaking battle to keep her baby daughter, Hettie.

Daisy Belle is a story of courage and survival and a tribute to the swimmers of yesteryear. The book is due to be published by
Unbound if Caitlin can get enough pledges by the end of August.




Can you tell us how this new publishing venture came about?

I’ve been reading about Unbound since they launched five years ago and wanted to try this new publishing route. I like the idea that you go direct to potential readers.

What is the difference between traditional publishing and Unbound?


Unbound is traditional in some ways, the subscription model of publishing goes back hundreds of years, so this is a 21st version. It means readers decide what books they want to see published by ‘pledging’ in advance – in other words, placing a pre order. The pledges are used to publish the book, and they then receive a beautiful copy of the final product as well as their name printed in every edition as a patron.

As with traditional publishing, you have to pitch your idea first, with a full synopsis and the first few chapters. I’ve been told that Unbound accepts around a third of proposals, and that only two thirds of the ones they do accept then get funded, so it’s by no means an easy route to take.

You don’t get an advance up front, instead you raise pledges via their website and then split the future sales of the book 50/50. With a traditional publisher, an author gets nearer 10%. You also don’t need an agent to publish with Unbound, and you can join a community of Unbound authors on a Facebook page where people share their joys and frustrations.

What made you choose this route?

I’ve been published by several publishers – big and small – and this is a new way of doing things. Unbound authors appear to be closely involved in the whole publication process, they choose whether they want a hardback or paperback, and discuss what amount they need to raise to make the project work. There is a lot of marketing involved, but authors are expected to do this with traditional publishers too.


The book is called Daisy Belle: Swimming Champion of the World. Can you tell us about the book including the history of how you came to write it?

It’s a novel based on the real-life stories of female swimming champions from Victorian times. It was inspired by a non-fiction book I wrote in 2015, Downstream: A History and Celebration of Swimming the River Thames, which was when I first came across a girl called Agnes Beckwith, a teenage champion of the 1870s. I was so amazed by her story that I wrote Daisy Belle: Swimming Champion of the World based on Agnes’ life. It opens in Margate in 1862 and follows Daisy Belle as she becomes, against all the odds, champion lady swimmer of the world.

Why do you think authors are beginning to choose more untraditional routes to get their books published?


Because they’re fed up! Getting an agent is hard (and without an agent you can’t approach most publishers, even small independent presses), getting access to publishers is hard, and getting published and earning a living as a writer is the hardest it’s been for at least a decade. Often writers are told there is ‘no market’ for their book, so with Unbound they decide to find the market and the readers themselves. It also provides an opportunity for writers who may be ignored by traditional publishers, or who have an idea that the sales and marketing department say won’t make money.


What is the process and the next steps for Daisy Belle?

First I need to raise enough pledges – in 19 days I’ve reached 65% of the target, which is brilliant but there is still a way to go. Then the novel will go through the normal process – a structural edit, copyediting, design etc. – which takes around 6-9 months. Unbound is a publishing company, and distributes its books through Random House, so your novel gets into bookshops.


What advice would you give writers who are thinking of going down the route of self-publishing?


Unbound is not self-publishing so I can’t really give any advice on that! But for writers thinking about Unbound I would say plan things carefully, you will need to find enough people who are able and willing to pre order your book – a book that they won’t actually see in their hands for at least 6 months. This may be a downside with Unbound; if a writer is isolated then I don’t know how easy it would be to raise the right amount, if you didn’t have family, friends, neighbours and work colleagues, plus the ability to reach people through social media. Having said that, some Unbound writers have raised the full amount in a matter of weeks with no social media presence at all, while others with millions of followers on twitter have given up.

Publishing with Unbound is a LOT of work, you need to pitch your project, work out your pledge levels, write your own synopsis and biography, put together an extract, and then be prepared to spend several hours a day every day getting the word out there. I’ve been told by others who have crowdfunded that the main thing is to be ‘shameless’! You are basically marketing and promoting your own (unpublished) book, so clearly you need to believe in it and be prepared for the highs and lows.

To learn more about Daisy Belle, to watch a short video trailer and to read more about the pledges click
here.


Follow
Unbound on Twitter: @unbounders

Follow Caitlin on Twitter: @CaitlinDavies2


Sunday, 18 June 2017

Block 46 by Johana Gustawsson


Book review by Greenacre Writer Mumpuni Murniati

Eric Ebner lives quietly in a yellow-wood villa at Skrea beach in Falkenberg, a west coast town in Sweden. His job is as an embalmer, he treats dead bodies in the precise manner and the discipline of his training. A child’s cadaver is a bonus, which doesn’t come often. He lays Antoine’s on the table, being giddy with excitement as his scalpel pushes beneath the cold but supple skin of the torso... 



In the nearby Olofsbo – in another era- Emily Roy studies the area where a female body had been concealed under an abandoned boat. Identified as Linnéa Blix, she was reported missing a day before in London. Roy was then called to see it because of the distinctive wounds: they match with what she’s seen on three children’s bodies -two buried, one exposed- in Hampstead Heath. Except Blix’s murder breaks the pattern: why her? What’s the anomaly for? She’s mulling over the questions while making the following mental note.

Latex-gloved hands pull the boat away. Beneath it, the body is naked, the skin blue, with a thin film of frost. Emily can’t smell the rancid scent of death, which has been blown away by the cold. The silky blonde hair frames the face, all the way down to the shoulders. The arms have been placed alongside the body. The pubis is shaven. The eye sockets are empty, black, dried blood highlighting their circles. The incision made to enucleate the victim is visible and tidy. The throat is cut wide open. The gash is deep, flaps of sin hanging on both sides of it. The trachea has been sectioned and pulled out.

Between Sweden and England, between the ghostly shadows of Buchenwald Concentration Camp and the present day, between a serial killer and a police profiler emerge a complicated plot that is gripping and worth perusing on every page.

Johana Gustawsson’s seven-year wait for the publication of her debut crime fiction is remarkable. The audacious Block 46 is the fruit of her painstaking research leafing through the documents of the Nuremberg Trial. Spanning over seventy years, it is a tale with an array of settings and flashbacks being approached differently in the génre.

Published in French in 2015, the English translation by Maxim Jakubowski, is competent and has a touch of the literary novel. The harrowing depictions of the killings can be horrifying to many, for Gustawsson is visual about gruesome details. Nonetheless, her narratives are evocative and audacious. From the organised hell of the camp to the hunting of the victims, she depicts different scenes succinctly but with great sensitivity. Her timing of events denoting distinctive places and time might take a moment of getting used to and yet her offer of a piece of the jigsaw clue engages readers during the journey to the solution. She allows readers to follow her characters closely and being in awe with the development of the case. Even in the penultimate ending she still leaves a room to wonder, to speculate.

Gustawsson pushes further with the involvement of Blix’s friend the French Alexis Castells in the investigation. It is as if it’s been the writer herself in her portrayal of Castells, whom has become Roy’s sidekick. If Roy is meticulous and exact, the other lets her mind meander to unthinkable scenarios and possibilities.

In a show-stopper pace Gustawsson juggles a lot of balls; there are moments that she almost drops them in the subplots. Nonetheless, she’s an old hand in throwing off the scent with her wild goose chase. She might give away the fact that Blix knew her killer well, but on the other hand she's managed to keep her wild card intact.

It’s inevitable to notice that the underlying issue is a matter that’s been dear to her. Her grandfather, Simon Lagunas, was on the resistance group that took over the camp from the SS soldiers before the US army went in on 11th April 1945. Her personal link shows the braveness and the perseverance that makes Block 46 an endearing tribute to the survivors of Buchenwald.

He wraps gauze around the sockets and the opening he has carved into the child’s neck. With an antiseptic cloth, he cleans the forehead, the nose and the marbled cheeks. Then the shoulders, the torso and the navel, on which he delicately places a cotton pad to absorb the blood. He throws the soaked pad away and completes his cleaning with a small, thin towel that he has rolled round his fingers. He uses it to delve into the depths of the ears, to wipe the sides of the nose and the skin on the child’s stomach.

How many knitted eyebrows, or even a wince at the above paragraph happen? Is it necessary to explain how a sociopath does ‘the work’? If anything, Gustawsson’s tenacity to plough through tough scenes is applaudable.

If there’s a slight displeasure, it’s the fixing of the genders of the hunt and the hunted. Although it’s quite a fair choice on her part, given the history of the crimes along with some attitudes to gender roles Gustawsson is willing to discuss.

As Roy and Castells close in on the murderer, are they close to catching the perpetrator? Or in fact, are they being lured into a trap and falling into it?

At last, a great fanfare concludes. Is Eric Ebner, an ex-prisoner of Buchenwald, the murderer the police have been looking for?


Thanks to Orenda books for the review copy.

Follow Johana on Twitter: @JoGustawsson